12/25/2023 0 Comments Spain filmotechProgram notes by John Hagelston and Margot Gerber. Series compiled by Gwen Deglise with the assistance of Andrew P. Servicios rodaje, alquiler Cámaras, iluminación y Grip / Film production Services Spain. Additionally, the winning entry of the New Filmmakers From Spain short film contest will screen before the opening-night film a showcase of shorts will close our celebration of Recent Spanish Cinema in the Spielberg Theatre.Īll films in Spanish with English subtitles unless noted. Thriller THE CORPSE OF ANNA FRITZ manages to wrap a highly exploitative premise with thought-provoking twists. Tosar also appears in action-packed heist film TO STEAL FROM A THIEF, a box office hit that also serves as a subtle critique of political corruption. Mario Casas and Luis Tosar star as brothers struggling to escape the underworld in crime drama TORO. distribution, as have THE BRIDE, a striking new adaptation of Federico Garcia Lorca’s Blood Wedding featuring Inma Cuesta, and Paco León’s comedy of sexual fetishes, KIKI, LOVE TO LOVE.Ĭomedy is further represented by SPY TIME, starring Imanol Arias as a Spanish James Bond, and PARTY TOWN, in which Spanish TV stars Andreu Buenafuente and Berto Romero play brothers who were briefly pop stars in the 1990s. El empresario que se ha hecho con el 70 del cine español comprando desde 1980 -a través de la compañía Video Mercury Films los derechos de cientos de películas a viudas, productores en problemas y absorbiendo pequeñas empresas en apuros, consiguiendo precios muy bajos. In addition, the consumption of movies has involved new agents that participate in ticket sales (Doury, 2001) or that contribute to the digitalization of traditional leisure activities through streaming. Filmotech La gran ‘mochila’ de Enrique Cerez o y el catálogo de su productora. Cesc Gay’s Goya-winning dramedy TRUMAN, starring Ricardo Darín and Javier Cámara - and a four-legged scene-stealer in the title role - has been picked up for U.S. businesses born from the digital world such as Filmotech occupy spaces on the Internet that should be controlled by large lm distributors. This chapter argues that the conditions and market structure that Netflix finds in Spain will result in limited success of the company. With Pedro Almodóvar’s JULIETA, the Spanish Oscar submission, opening in Los Angeles in late December, 2016 is shaping up to be a year when Spanish films are exceptionally visible on American screens (the arrival of Netflix and Amazon as players broadens the distribution field even further). The OTT companies offer some commercial movies and two of them, Filmin and Filmotech, are the market place for Spanish movies. The annual festival has exposed countless Angelenos to Spanish culture, from art and music to food, fashion and more. ![]() Two decades ago, the American Cinematheque, in association with the Spanish Ministry of Culture, began importing the best and brightest of Spanish cinema to Hollywood with its “Recent Spanish Cinema” film series.
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